Tuscaloosa by Neil Young & The Stray Gators

Tuscaloosa by Neil Young & The Stray Gators - Album Review

Shakey's live archive releases continue apace, coming after the excellent "Songs For Judy", (full review here) and the even better "Roxy: Tonight's The Night Live", (full review here).

This time Neil treats us to excerpts from an Alabama show, (hence the title), from the 1973 tour previously documented on "Time Fades Away". Whilst a commercial success, the tour was fraught due to Young's grief over the drug-induced death of Danny Whitten that led to his masterpieces "Tonight's The Night" and "On The Beach", and his discomfort in translating his sound to the big arenas his success now found him playing. Neil has previously stated that "Time Fades Away" is his worst album. Those of us who have endured "Everybody's Rockin'" or "Landing On Water" might beg to differ....

Anyway another snapshot of that tour emerges here, and an altogether more lighter mood prevails. The autobiographical "Don't Be Denied" and the stomping country of "Time Fades Away" are the only tracks duplicated between the two sets.

Starting off with "Here We Are In The Years", from his debut solo album, with Neil accompanying himself on acoustic guitar, and also featured on "Songs For Judy"; it feels a little superfluous as a result.

One of his most enduring, and updated throughout the decades, songs in "After The Gold Rush" follows before a personal favourite in "Out On The Weekend" sees Neil joined by the rest of the band.

I love the sense of sad isolation in this song which is amplified by the bare bones arrangement and playing. It starts a crowd pleasing run of four songs from the then current and huge selling "Harvest". These conclude with what must be his two most well known songs in "Old Man" and "Heart Of Gold" before we dive head first into the "Doom Trilogy" songs.

The aforementioned "Time Fades Away" rollicks along with Ben Keith diving in and out on the pedal steel to great effect.

"Lookout Joe" is one of the two peaks on the album. At the time of performance it was unreleased, and it's depth, alone with that of the following "New Mama" make the "Harvest" songs seem lightweight by comparison. They're not, objectively, but in the context of this album the pain and darkness in the "Tonight's The Night" material lends them a translucent nature that doesn't come across in their original format. "Alabama" is the exception to this in the same way it stands out on "Harvest". Given the location of this show it has an added piquancy. The guitars wail and Neil's voice start to strain; great stuff.

"Don't Be Denied" brings us home in a winding 8 minutes of autobiography.

In conclusion, my only criticism of this release is that I could take more. At 53 minutes and 11 tracks I'd like to have heard more of, or in indeed all of, the show. Nonetheless this is another fine addition to the collection of archive releases.

"Old times were good times........"

Comments

Eraserland by Strand Of Oaks - Album Review

A new album from Tim Showalter which, barring a final misstep, hits all the Americana, (and more), marks. This album is heartfelt, sleazy, uplifting, classic and referential all at the same time whilst still pointing forwards.

The beginning is inauspicious. "Weird Ways" starts out like a standard Ryan Adams ballad, but takes off halfway through in a way that reveals the pedigree of the other musicians on the album. After hearing this track I thought it sounded like the aforementioned Mr Adams playing with My Morning Jacket(MMJ). The reverb drenched sound kept rearing its head and a little research revealed that, minus main man Jim James, they were the backing musicians on the album . No wonder I kept hearing them! As a band who has produced much that I like this was a good thing.

After "Weird Ways" heads for the stars we stay there with "Hyperspace Blues" which is one for fans of Jason Pierce's Spiritualized, and sounds just as a song with that title s…

On The Line by Jenny Lewis - Album Review

Arriving with positive notices and an all-star supporting cast that includes a former Beatle in Ringo Starr, a former Heartbreaker in Benmont Tench along with renowned players like Jim Keltner, Don Was and produced by Ryan Adams it would be easy to dismiss such a description as too good to be true.
However, sometimes it is okay to believe the hype..
The 4th solo album from Jenny Lewis is an example of the old adage that misery makes for great art, and is another entry into the canon of great break-up albums.
It is crammed with catchy melodies, expert playing and excellent, if sometimes just a little too cool for school, songwriting. Right from the very start with "Heads Gonna Roll" the sweetness of the melodies is leavened with a perfectly judged dose of underlying menace and bitterness.
Mention has to be given to the Hammond solo from Benmont Tench on this track. The tone is deliciously fat and filthy in the best possible way.
"Wasted Youth" continues with a ridiculous…

Songs To Die To - Part 3

Continuing a series about songs death and dying. These are not necessarily songs that talk about the process of dying, rather as the title suggests, songs that I could imagine listening to on my death bed, or taking as consolation during or after a funeral.

Morbid? I think not, as death is part of life. If we all talked about it a little more, maybe we'd cope with it better.

No 1: featuring "Land Of Hope & Dreams" by Bruce Springsteen here

No 2: featuring "Look On Down From The Bridge" by Mazzy Star here

With that said here's my next choice.

No 3: Gonna Be A Darkness - The Jayhawks

From their superb collection of songs that main man Gary Louris wrote with other artists, (full review here), comes this gem co-written with Jakob Dylan.

I love the extended musical introduction, starting with the mandolin, building with the bass and piano.It sets a lovely relaxed groove that hints at the sadness to come.
Louris and drummer Tim O'Reagan blend their voices beauti…

Songs To Die To - Part 4

Continuing a series about songs death and dying. These are not necessarily songs that talk about the process of dying, rather as the title suggests, songs that I could imagine listening to on my death bed, or taking as consolation during or after a funeral.

Morbid? I think not, as death is part of life. If we all talked about it a little more, maybe we'd cope with it better.

No 1: featuring "Land Of Hope & Dreams" by Bruce Springsteen here

No 2: featuring "Look On Down From The Bridge" by Mazzy Star here

No3: featuring "Gonna Be A Darkness" by The Jayhawks here

With that said here's my next choice.

No 4: Everything Flows - Teenage Fanclub

This song is here less for it's explicit subject matter rather than the way it makes me feel.
Certainly the lyrics, "I'll never know which way to flow, set a course that I don't know" talk about journeying, searching and convey an ambiguity that could apply to a passage beyond this life.

This so…

Teenage Fanclub - at Kelvingrove Summer Nights Live Review

For my fifteenth time seeings Bellshill's finest live, a different venue. The restored Victorian bandstand in Kelvingrove Park, Glasgow. Given that any outdoor event in the West of Scotland is at risk of rain, it was unsurprising that the heavens opened as the support act, (one Nile Marr, son of Johnny, who was pretty good) and it was proper rods bouncing off the floor. Fortunately it dried up for when the Fannies took to the stage. Starting off with "I Can't Find My Home" from "Howdy!" before a welcome deep cut in early single "God Knows It's True", it was quite sedate for the first seven songs, the crowd all being pretty wet no doubt contributing to that. However once they launched into "Alcoholiday" the crowd surged forward and from then until the end it was business as usual for Teenage Fanclub in Glasgow; that being bouncing. We got a few new songs including the pretty decent new single "Everything Is Falling Apart", but…

Teenage Fanclub - Live At The Barrowlands

As previously mentioned, there was a certain sadness attached to this run of gigs by Bellshill's finest. My fear was that the imminent departure of Gerry Love would change the atmosphere from one of celebration to regret. Fortunately this was not to be the case. Whilst the atmosphere WAS different from a normal Fannies gig, that had more to do with the set list and personnel on stage.

Billed as 'The Creation Years- Songs From 1994-1997', this was exactly as advertised. What we got was "Grand Prix" and "Songs From Northern Britain", (SFNB), top to tail and in order.

Given that those two albums are the finest work the band produced, there were no complaints from me. What it did highlight was the difference between a live show and an album in terms of sequencing. Whereas most gigs will build to a big finish, "Grand Prix" for example finishes with "Hardcore/Ballad", a mash up of the early raw sound cutting immediately into a heartfelt sol…

PowderfingerSpeaks

Search This Blog