Destroyer by Black Mountain

Destroyer by Black Mountain - Album Review

The fifth album from Canadian rockers, Black Mountain, a band that I'd not come across before this year, arrives and continues the confounding of expectations that I found in opening track, "Future Shade". I've already eulogised about how much I like that track, here. My thoughts on the rest of the album continue below.

The list of influences is long, from classic rock & metal behemoths Black Sabbath, Led Zeppelin, and Iron Maiden to the indie rock of bands like Swell via Berlin-era David Bowie and Depeche Mode. I love the way they use keyboards and guitars to equally powerful effect.

"Horns Arising" starts by continuing the hard rocking with vocoder vocals and strong keyboard work, before becoming a Mastodon-esque stomper then morphing into sinister but pastoral folk and back again. This is not an album for the faint-hearted, or those of simple tastes. This band takes you on an intense aural journey in the space of one song.

"Closer To The Edge" sounds like a 1970's science fiction film soundtrack and serves as a breath catching interlude after the craziness of "Horns Arising" before "High Rise" brings back the rock. Less metal and more garage rock but drifting into Hawkwind and Spiritualized territory as it progresses to full on wig out.

"Pretty Little Lazies" is another journey through the styles. Starting off as a distant cousin of the Rolling Stones' "Paint It Black" before becoming something that wouldn't have seemed out of place on Blur's eponymous 1997 masterpiece. Naturally, it takes a detour to wig-out central halfway through, before finishing with a dark melodic coda.

"Boogie Lover" takes a more traditional blues-rock vibe but still has a 1960's psychedelic edge, and a heavier undertone. It is the only track that approaches a standardised sound, and suffers for this a little. Possibly a couple of minutes too long as well.

"Licensed To Drive" slowly builds up with some great tom-tom work into a metal feel similar to opener "Future Shade". This is obviously a good thing.

Album closer "FD'72" heads off in the David Bowie/Depeche Mode and Joy Division direction. Lead singer Stephen McBean really channels the Berlin-era Bowie here, whilst the musical intro and outro would fit perfectly into many a thriller soundtrack.

At only 8 tracks it might seem on the short side, but only one of those is under 3 minutes and the album is a perfectly sized 43 minutes. Moreover 7 of those 8 tracks take the listener on an extravagant musical journey. One of the more intriguing albums I've heard in a while, only to be avoided by those who don't want their musical horizons expanded.

"Drown in the future shade, ain't no-one gonna save you tonight...."

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Eraserland by Strand Of Oaks - Album Review

A new album from Tim Showalter which, barring a final misstep, hits all the Americana, (and more), marks. This album is heartfelt, sleazy, uplifting, classic and referential all at the same time whilst still pointing forwards.

The beginning is inauspicious. "Weird Ways" starts out like a standard Ryan Adams ballad, but takes off halfway through in a way that reveals the pedigree of the other musicians on the album. After hearing this track I thought it sounded like the aforementioned Mr Adams playing with My Morning Jacket(MMJ). The reverb drenched sound kept rearing its head and a little research revealed that, minus main man Jim James, they were the backing musicians on the album . No wonder I kept hearing them! As a band who has produced much that I like this was a good thing.

After "Weird Ways" heads for the stars we stay there with "Hyperspace Blues" which is one for fans of Jason Pierce's Spiritualized, and sounds just as a song with that title s…

Songs To Die To - Part 3

Continuing a series about songs death and dying. These are not necessarily songs that talk about the process of dying, rather as the title suggests, songs that I could imagine listening to on my death bed, or taking as consolation during or after a funeral.

Morbid? I think not, as death is part of life. If we all talked about it a little more, maybe we'd cope with it better.

No 1: featuring "Land Of Hope & Dreams" by Bruce Springsteen here

No 2: featuring "Look On Down From The Bridge" by Mazzy Star here

With that said here's my next choice.

No 3: Gonna Be A Darkness - The Jayhawks

From their superb collection of songs that main man Gary Louris wrote with other artists, (full review here), comes this gem co-written with Jakob Dylan.

I love the extended musical introduction, starting with the mandolin, building with the bass and piano.It sets a lovely relaxed groove that hints at the sadness to come.
Louris and drummer Tim O'Reagan blend their voices beauti…

Tuscaloosa by Neil Young & The Stray Gators - Album Review

Shakey's live archive releases continue apace, coming after the excellent "Songs For Judy", (full review here) and the even better "Roxy: Tonight's The Night Live", (full review here).

This time Neil treats us to excerpts from an Alabama show, (hence the title), from the 1973 tour previously documented on "Time Fades Away". Whilst a commercial success, the tour was fraught due to Young's grief over the drug-induced death of Danny Whitten that led to his masterpieces "Tonight's The Night" and "On The Beach", and his discomfort in translating his sound to the big arenas his success now found him playing. Neil has previously stated that "Time Fades Away" is his worst album. Those of us who have endured "Everybody's Rockin'" or "Landing On Water" might beg to differ....

Anyway another snapshot of that tour emerges here, and an altogether more lighter mood prevails. The autobiographical &…

On The Line by Jenny Lewis - Album Review

Arriving with positive notices and an all-star supporting cast that includes a former Beatle in Ringo Starr, a former Heartbreaker in Benmont Tench along with renowned players like Jim Keltner, Don Was and produced by Ryan Adams it would be easy to dismiss such a description as too good to be true.
However, sometimes it is okay to believe the hype..
The 4th solo album from Jenny Lewis is an example of the old adage that misery makes for great art, and is another entry into the canon of great break-up albums.
It is crammed with catchy melodies, expert playing and excellent, if sometimes just a little too cool for school, songwriting. Right from the very start with "Heads Gonna Roll" the sweetness of the melodies is leavened with a perfectly judged dose of underlying menace and bitterness.
Mention has to be given to the Hammond solo from Benmont Tench on this track. The tone is deliciously fat and filthy in the best possible way.
"Wasted Youth" continues with a ridiculous…

Hello Sunshine by Bruce Springsteen - New Song Review

After the Broadway experience comes a new song, and my initial thoughts upon hearing it were not about this track specifically, but what it means for the upcoming "Western Stars" album in June. As Bruce has said, this is a different type of album, not a rocker but a 'return to sweeping, cinematic orchestral arrangements'.

My hope is that we are going to get Bruce's version of "Nashville Skyline", as the track has a laid back, country feel, with a rhythm that immediately evokes "Everybody's Talkin' ".

Another one of his early influences, the great Roy Orbison, also shines through, and as a defender of "Outlaw Pete" from "Magic", (more on that here), this can only be a good thing. His vocal has a country tinge and the pedal steel and strings complete the image.

Given his battles with depression, documented in his autobiography, the lines about "being too fond of the blues" and "loving the lonely place&q…

Teenage Fanclub - at Kelvingrove Summer Nights Live Review

For my fifteenth time seeings Bellshill's finest live, a different venue. The restored Victorian bandstand in Kelvingrove Park, Glasgow. Given that any outdoor event in the West of Scotland is at risk of rain, it was unsurprising that the heavens opened as the support act, (one Nile Marr, son of Johnny, who was pretty good) and it was proper rods bouncing off the floor. Fortunately it dried up for when the Fannies took to the stage. Starting off with "I Can't Find My Home" from "Howdy!" before a welcome deep cut in early single "God Knows It's True", it was quite sedate for the first seven songs, the crowd all being pretty wet no doubt contributing to that. However once they launched into "Alcoholiday" the crowd surged forward and from then until the end it was business as usual for Teenage Fanclub in Glasgow; that being bouncing. We got a few new songs including the pretty decent new single "Everything Is Falling Apart", but…

October New Music - Rockin' The Suburbs

Be sure to listen to the latest episode, 736, of Rockin' The Suburbs podcast to hear me talk about some of the new songs I enjoyed in October. You can listen here or via your usual podcast provider.

The songs I talk about, along with a little cricket, NFL & rugby are:

"Run Away" by Lightning Dust
"In Good Faith" by Bonnie 'Prince' Billy
"Hard Times" by Whyte Horses featuring John Grant
"Favourite Boy" by Half Moon Run
"In The Air Tonight" by Lucy Dacus
Be sure to listen every day...........

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