Skip to main content

Teenage Fanclub - Live At The Barrowlands




As previously mentioned, there was a certain sadness attached to this run of gigs by Bellshill's finest. My fear was that the imminent departure of Gerry Love would change the atmosphere from one of celebration to regret. Fortunately this was not to be the case. Whilst the atmosphere WAS different from a normal Fannies gig, that had more to do with the set list and personnel on stage.

Billed as 'The Creation Years- Songs From 1994-1997', this was exactly as advertised. What we got was "Grand Prix" and "Songs From Northern Britain", (SFNB), top to tail and in order. 

Given that those two albums are the finest work the band produced, there were no complaints from me. What it did highlight was the difference between a live show and an album in terms of sequencing. Whereas most gigs will build to a big finish, "Grand Prix" for example finishes with "Hardcore/Ballad", a mash up of the early raw sound cutting immediately into a heartfelt solo acoustic number from Norman. Somewhat different from the mighty "Everything Flows". On a side note, in the fourteen shows that I've seen, this is only the second time that they've not played the traditional set closer.




Happily "Speed Of Light" closes SFNB and it was fitting that a typically upbeat Gerry song would wrap up a wonderful night of nostalgia. Having previous drummers Paul Quinn, (in the drum seat throughout), and Brendan O'Hare on stage with regular sticks man Francis MacDonald was a real joy. 


Other than "Don't Look Back" from Gerry bringing a real lump to my throat, it was the deep cuts that stood out, mainly for their rarity in the live setting. "Tears", with Norman comically bad on the piano solo, "Planets" and the Crazy Horse groove of "Mount Everest" were the highlights for me.




Gerry's statement about this being an amicable split really seemed to ring true. He looked happier and more relaxed on stage that the last few times I've seen them. The band were clearly having fun, as did I and I suspect all those in attendance.

If this really is the end with Gerry, and let's hope not, then a fine way to go out.

Messrs. Blake, McGinley, MacDonald, O'Hare, Quinn, McGowan and especially Love, I salute you.

Comments

  1. In a live show there is lot of excitement and fun . In a live band stars feel happier and relaxed. Teenage fanclub giving live performance at Barrowlands. I have found multiple live concerts in sonicseats for upcoming months. We can plan and enjoy with our friends.

    ReplyDelete

Post a comment

Popular Posts

Eraserland by Strand Of Oaks - Album Review

A new album from Tim Showalter which, barring a final misstep, hits all the Americana, (and more), marks. This album is heartfelt, sleazy, uplifting, classic and referential all at the same time whilst still pointing forwards. The beginning is inauspicious. "Weird Ways" starts out like a standard Ryan Adams ballad, but takes off halfway through in a way that reveals the pedigree of the other musicians on the album. After hearing this track I thought it sounded like the aforementioned Mr Adams playing with My Morning Jacket(MMJ). The reverb drenched sound kept rearing its head and a little research revealed that, minus main man Jim James, they were the backing musicians on the album . No wonder I kept hearing them! As a band who has produced much that I like this was a good thing.  After "Weird Ways" heads for the stars we stay there with "Hyperspace Blues" which is one for fans of Jason Pierce's Spiritualized, and sounds just as a song w

October New Music - Rockin' The Suburbs

Be sure to listen to the latest episode, 736, of Rockin' The Suburbs podcast to hear me talk about some of the new songs I enjoyed in October. You can listen here or via your usual podcast provider. The songs I talk about, along with a little cricket, NFL & rugby are: "Run Away" by Lightning Dust "In Good Faith" by Bonnie 'Prince' Billy "Hard Times" by Whyte Horses featuring John Grant "Favourite Boy" by Half Moon Run "In The Air Tonight" by Lucy Dacus Be sure to listen every day...........

Josh Rouse - Love In The Modern Age Review

I picked up Josh Rouse's latest album at the show reviewed earlier , purely on the strength of the new songs he'd debuted that night. Firstly, the songs are almost uniformly great, and whilst some might complain at only 9 tracks on an album, less is sometimes more. "Leave 'em wanting more" is a good policy. I find it hard to accept, for example, that The Beatles "White Album", to pick a famous example, wouldn't have been improved by being cut to a single disc. A topic for another day perhaps? Back to matters in hand. The album starts out with what is my favourite track from the set, "Salton Sea" . It sets out the album's pop stylings and productio n, gated snare and prominent synths, occasional vocoder flourishes, etc. that continue throughout the album. With a nice build at the end to some instrumental guitar, it is a great start.  The tunes keep coming, with the title track , "Businessman" , and "Women And The

Hello Sunshine by Bruce Springsteen - New Song Review

After the Broadway experience comes a new song, and m y initial thoughts upon hearing it were not about this track specifically, but what it means for the upcoming "Western Stars" album in June. As Bruce has said, this is a different type of album, not a rocker but a 'return to sweeping, cinematic orchestral arrangements'.  My hope is that we are going to get Bruce's version of "Nashville Skyline", as the track has a laid back, country feel, with a rhythm that immediately evokes "Everybody's Talkin' ".  Another one of his early influences, the great Roy Orbison, also shines through, and as a defender of "Outlaw Pete" from "Magic", (more on that here ), this can only be a good thing. His vocal has a country tinge and the pedal steel and strings complete the image.  Given his battles with depression, documented in his autobiography, the lines about "being too fond of the blues" and "loving t

A Musical Epiphany: Bruce Springsteen

Have you ever struggled to understand the appeal of an artist?  In the case of Bruce Springsteen I was in this camp until August 2002. I appreciated that he was a significant figure in music, and enjoyed some of his hits, "Born To Run" and "Thunder Road" in particular. "Born To Run" and "Greatest Hits" were the only albums of his I owned, and found the almost religious fervour of his most passionate devotees baffling. All that changed in early August 2002 when on the basis of many positive reviews at the time I bought his just released, (9/11 addressing & E-Street Band reuniting), album "The Rising". I was walking the dog, listening on headphones, and had found the first 10 tracks, enjoyable, if not spectacular.  Track 11,   "Mary's Place" , changed all that. The old time gospel hall feel with it's saxophone licks caught my attention. I wasn't prepared for what happened at 3:34 on "...drop the needl

Songs To Die To - Part 3

Continuing a series about songs death and dying.  These are not necessarily songs that talk about the process of dying, rather as the title suggests, songs that I could imagine listening to on my death bed, or taking as consolation during or after a funeral.  Morbid? I think not, as death is part of life. If we all talked about it a little more, maybe we'd cope with it better. No 1: featuring "Land Of Hope & Dreams" by Bruce Springsteen here No 2: featuring "Look On Down From The Bridge" by Mazzy Star here With that said here's my next choice. No 3: Gonna Be A Darkness - The Jayhawks From their superb collection of songs that main man Gary Louris wrote with other artists, (full review here ), comes this gem co-written with Jakob Dylan. I love the extended musical introduction, starting with the mandolin, building with the bass and piano.It sets a lovely relaxed groove that hints at the sadness to come. Louris and drummer Tim O'Rea

Great British Beer Festival: Day 2

Day two is done, and more excellent beers consumed. 1. Krausened Lager, Budweiser Budvar 4% After the Tankove Pivo being my beer of the day yesterday,  hopes were high for the Krausened. An unfiltered and unpasteurised lager. Not quite up there with the tank beer, but still very refreshing. A slight aftertaste that wasn't there on the Tankove, and overall I preferred the temperature controlled option. A good start though. 2. Cinnamon Porter, Boulder Beer Company 5.9% A lovely Porter, the cinnamon being very subtle. Sweet and smooth, I'd happily return to this. 3. Kölsch, Cölner Hofbräu Früh 4.8% Clean, crisp and clear with a softness on the tongue that surprises. Could easily go a few pints of this on a hot summer's day. 4. Make America Juicy Again, Heretic Brewing Company 6.5% A New England IPA, hazy and fruity as you'd expect from this style, but more tart and lacking the rich smoothness of other NEIPAs I've had. 5. Salted Caramel Lucaria, Thornbridge 4.