Alter Bridge Live At The Royal Albert Hall Review

From the ashes of Creed, the big-selling '90's Floridian rock band, rose Alter Bridge, to the point where they can play two nights at the Royal Albert Hall, backed up by a 52 piece orchestra.

The musicians from Creed, (Mark Tremonti, Brian Marshall and Scott Phillips) are joined by powerhouse vocalist, and no mean guitar player himself, Myles Kennedy. The first couple of studio albums were more rock than metal, with "ABIII" and "Fortress" taking a bit of a heavier tone. I have to confess to not owning the most recent studio album, "The Last Hero", as I found "Fortress" a bit underwhelming.

I'm a big fan of the orchestral enhancement of a rock or metal band. I think "S&M" by Metallica is probably the best thing they've done apart from "Master Of Puppets".

Anyway, back to matters in hand. How does this live recording, the band's fourth, stack up?

Pretty well I'd say. Due to the sheer amount of sound of offer with the orchestra and band both going at full chat, it benefits from being listened to on a decent sound system. I feel a lot of the arrangements are too similar, with not enough dynamics. Also, a shorter track listing would have been preferable. Take out "Cry Of Achilles", "Fortress", "The Other Side", "Words Darker Than Their Wings", "Waters Rising", This Side Of Fate" and end with the epic "Blackbird" and you have a 15 track all killer no filler live album. "Blackbird" is so good that almost anything feels like a come down after it finishes.

Enough of the negatives though, on the positive side. The rest of the 2 discs are packed with great tunes enhanced by the orchestral underpinnings. "The Last Hero" and "Lover" impress alongside the standout classics of the aforementioned "Blackbird", "Watch Over You" and "Broken Wings" with it's amazing chorus.

In summary, whilst I was expecting to love this album, I 'merely' enjoyed it. Perhaps a case of expectations being set too high. Also I feel that Myles Kennedy's voice is not always best served by the songs. I love hearing him in the lower register, and too many of these songs are all the way up to ten throughout. Please don't misunderstand me, he's an amazing vocalist, I just prefer the more melodic of the band's songs that let the vocal breathe a little.

However, another album has just released, which I think does better job of showcasing his talents. Watch this space...

Comments

Eraserland by Strand Of Oaks - Album Review

A new album from Tim Showalter which, barring a final misstep, hits all the Americana, (and more), marks. This album is heartfelt, sleazy, uplifting, classic and referential all at the same time whilst still pointing forwards. The beginning is inauspicious. "Weird Ways" starts out like a standard Ryan Adams ballad, but takes off halfway through in a way that reveals the pedigree of the other musicians on the album. After hearing this track I thought it sounded like the aforementioned Mr Adams playing with My Morning Jacket(MMJ). The reverb drenched sound kept rearing its head and a little research revealed that, minus main man Jim James, they were the backing musicians on the album . No wonder I kept hearing them! As a band who has produced much that I like this was a good thing. After "Weird Ways" heads for the stars we stay there with "Hyperspace Blues" which is one for fans of Jason Pierce's Spiritualized, and sounds just as a song w

October New Music - Rockin' The Suburbs

Be sure to listen to the latest episode, 736, of Rockin' The Suburbs podcast to hear me talk about some of the new songs I enjoyed in October. You can listen here or via your usual podcast provider. The songs I talk about, along with a little cricket, NFL & rugby are: "Run Away" by Lightning Dust "In Good Faith" by Bonnie 'Prince' Billy "Hard Times" by Whyte Horses featuring John Grant "Favourite Boy" by Half Moon Run "In The Air Tonight" by Lucy Dacus Be sure to listen every day...........

Josh Rouse - Love In The Modern Age Review

I picked up Josh Rouse's latest album at the show reviewed earlier , purely on the strength of the new songs he'd debuted that night. Firstly, the songs are almost uniformly great, and whilst some might complain at only 9 tracks on an album, less is sometimes more. "Leave 'em wanting more" is a good policy. I find it hard to accept, for example, that The Beatles "White Album", to pick a famous example, wouldn't have been improved by being cut to a single disc. A topic for another day perhaps? Back to matters in hand. The album starts out with what is my favourite track from the set, "Salton Sea" . It sets out the album's pop stylings and productio n, gated snare and prominent synths, occasional vocoder flourishes, etc. that continue throughout the album. With a nice build at the end to some instrumental guitar, it is a great start. The tunes keep coming, with the title track , "Businessman" , and "Women And The

Hello Sunshine by Bruce Springsteen - New Song Review

After the Broadway experience comes a new song, and m y initial thoughts upon hearing it were not about this track specifically, but what it means for the upcoming "Western Stars" album in June. As Bruce has said, this is a different type of album, not a rocker but a 'return to sweeping, cinematic orchestral arrangements'. My hope is that we are going to get Bruce's version of "Nashville Skyline", as the track has a laid back, country feel, with a rhythm that immediately evokes "Everybody's Talkin' ". Another one of his early influences, the great Roy Orbison, also shines through, and as a defender of "Outlaw Pete" from "Magic", (more on that here ), this can only be a good thing. His vocal has a country tinge and the pedal steel and strings complete the image. Given his battles with depression, documented in his autobiography, the lines about "being too fond of the blues" and "loving t

Songs To Die To - Part 3

Continuing a series about songs death and dying. These are not necessarily songs that talk about the process of dying, rather as the title suggests, songs that I could imagine listening to on my death bed, or taking as consolation during or after a funeral. Morbid? I think not, as death is part of life. If we all talked about it a little more, maybe we'd cope with it better. No 1: featuring "Land Of Hope & Dreams" by Bruce Springsteen here No 2: featuring "Look On Down From The Bridge" by Mazzy Star here With that said here's my next choice. No 3: Gonna Be A Darkness - The Jayhawks From their superb collection of songs that main man Gary Louris wrote with other artists, (full review here ), comes this gem co-written with Jakob Dylan. I love the extended musical introduction, starting with the mandolin, building with the bass and piano.It sets a lovely relaxed groove that hints at the sadness to come. Louris and drummer Tim O'Rea

A Musical Epiphany: Bruce Springsteen

Have you ever struggled to understand the appeal of an artist? In the case of Bruce Springsteen I was in this camp until August 2002. I appreciated that he was a significant figure in music, and enjoyed some of his hits, "Born To Run" and "Thunder Road" in particular. "Born To Run" and "Greatest Hits" were the only albums of his I owned, and found the almost religious fervour of his most passionate devotees baffling. All that changed in early August 2002 when on the basis of many positive reviews at the time I bought his just released, (9/11 addressing & E-Street Band reuniting), album "The Rising". I was walking the dog, listening on headphones, and had found the first 10 tracks, enjoyable, if not spectacular. Track 11, "Mary's Place" , changed all that. The old time gospel hall feel with it's saxophone licks caught my attention. I wasn't prepared for what happened at 3:34 on "...drop the needl

Tuscaloosa by Neil Young & The Stray Gators - Album Review

Shakey's live archive releases continue apace, coming after the excellent "Songs For Judy", (full review here ) and the even better "Roxy: Tonight's The Night Live", (full review here ). This time Neil treats us to excerpts from an Alabama show, (hence the title), from the 1973 tour previously documented on "Time Fades Away". Whilst a commercial success, the tour was fraught due to Young's grief over the drug-induced death of Danny Whitten that led to his masterpieces "Tonight's The Night" and "On The Beach", and his discomfort in translating his sound to the big arenas his success now found him playing. Neil has previously stated that "Time Fades Away" is his worst album. Those of us who have endured "Everybody's Rockin'" or "Landing On Water" might beg to differ.... Anyway another snapshot of that tour emerges here, and an altogether more lighter mood prevails. The autobio

PowderfingerSpeaks

Search This Blog