Cover Versions You'd Love To Hear

There are cover versions, and then there are Cover Versions.

Whilst it maybe a bit harsh comparing pointless album filler by Rod Stewart with a career book-ending and definitive version of Nine Inch Nails "Hurt" by Johnny Cash, it serves to make my point. Too many times cover versions are simply karaoke for musicians.

It has been said before by many people more qualified than I that a cover version cannot simply be a retread of the original, it has to bring something new to the table.

For example Alabama 3's version of "Hotel California" is significantly different than the original, and emphasises the darkness of the song in a way the highly polished Eagles version doesn't. Is it a better version? Overall I think not, but I enjoy them both.

Anyway, on to the main point of this post.

I'm a huge fan of The Who's 1971 rock masterpiece, "Who's Next". From opening with the innovative and instant classic "Baba O'Riley" to the final crash of one of the all time great rock songs, "Won't Get Fooled Again", it stands as one of the finest rock albums of all time.

My favourite track is the penultimate song, "Behind Blue Eyes".

Whilst the original here is superb, I've often thought when Roger Daltrey's vocal tone changes at 1:24, how good would this be with Metallica's James Hetfield on vocals?

Metallica does "Behind Blue Eyes"? Yes please.

(Yes I know L**p B*****t covered it, but I have erased as much as possible of that from my mind, and do not wish to revisit it.)

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Eraserland by Strand Of Oaks - Album Review

A new album from Tim Showalter which, barring a final misstep, hits all the Americana, (and more), marks. This album is heartfelt, sleazy, uplifting, classic and referential all at the same time whilst still pointing forwards.

The beginning is inauspicious. "Weird Ways" starts out like a standard Ryan Adams ballad, but takes off halfway through in a way that reveals the pedigree of the other musicians on the album. After hearing this track I thought it sounded like the aforementioned Mr Adams playing with My Morning Jacket(MMJ). The reverb drenched sound kept rearing its head and a little research revealed that, minus main man Jim James, they were the backing musicians on the album . No wonder I kept hearing them! As a band who has produced much that I like this was a good thing.

After "Weird Ways" heads for the stars we stay there with "Hyperspace Blues" which is one for fans of Jason Pierce's Spiritualized, and sounds just as a song with that title s…

Tuscaloosa by Neil Young & The Stray Gators - Album Review

Shakey's live archive releases continue apace, coming after the excellent "Songs For Judy", (full review here) and the even better "Roxy: Tonight's The Night Live", (full review here).

This time Neil treats us to excerpts from an Alabama show, (hence the title), from the 1973 tour previously documented on "Time Fades Away". Whilst a commercial success, the tour was fraught due to Young's grief over the drug-induced death of Danny Whitten that led to his masterpieces "Tonight's The Night" and "On The Beach", and his discomfort in translating his sound to the big arenas his success now found him playing. Neil has previously stated that "Time Fades Away" is his worst album. Those of us who have endured "Everybody's Rockin'" or "Landing On Water" might beg to differ....

Anyway another snapshot of that tour emerges here, and an altogether more lighter mood prevails. The autobiographical &…

On The Line by Jenny Lewis - Album Review

Arriving with positive notices and an all-star supporting cast that includes a former Beatle in Ringo Starr, a former Heartbreaker in Benmont Tench along with renowned players like Jim Keltner, Don Was and produced by Ryan Adams it would be easy to dismiss such a description as too good to be true.
However, sometimes it is okay to believe the hype..
The 4th solo album from Jenny Lewis is an example of the old adage that misery makes for great art, and is another entry into the canon of great break-up albums.
It is crammed with catchy melodies, expert playing and excellent, if sometimes just a little too cool for school, songwriting. Right from the very start with "Heads Gonna Roll" the sweetness of the melodies is leavened with a perfectly judged dose of underlying menace and bitterness.
Mention has to be given to the Hammond solo from Benmont Tench on this track. The tone is deliciously fat and filthy in the best possible way.
"Wasted Youth" continues with a ridiculous…

Songs To Die To - Part 3

Continuing a series about songs death and dying. These are not necessarily songs that talk about the process of dying, rather as the title suggests, songs that I could imagine listening to on my death bed, or taking as consolation during or after a funeral.

Morbid? I think not, as death is part of life. If we all talked about it a little more, maybe we'd cope with it better.

No 1: featuring "Land Of Hope & Dreams" by Bruce Springsteen here

No 2: featuring "Look On Down From The Bridge" by Mazzy Star here

With that said here's my next choice.

No 3: Gonna Be A Darkness - The Jayhawks

From their superb collection of songs that main man Gary Louris wrote with other artists, (full review here), comes this gem co-written with Jakob Dylan.

I love the extended musical introduction, starting with the mandolin, building with the bass and piano.It sets a lovely relaxed groove that hints at the sadness to come.
Louris and drummer Tim O'Reagan blend their voices beauti…

Songs To Die To - Part 4

Continuing a series about songs death and dying. These are not necessarily songs that talk about the process of dying, rather as the title suggests, songs that I could imagine listening to on my death bed, or taking as consolation during or after a funeral.

Morbid? I think not, as death is part of life. If we all talked about it a little more, maybe we'd cope with it better.

No 1: featuring "Land Of Hope & Dreams" by Bruce Springsteen here

No 2: featuring "Look On Down From The Bridge" by Mazzy Star here

No3: featuring "Gonna Be A Darkness" by The Jayhawks here

With that said here's my next choice.

No 4: Everything Flows - Teenage Fanclub

This song is here less for it's explicit subject matter rather than the way it makes me feel.
Certainly the lyrics, "I'll never know which way to flow, set a course that I don't know" talk about journeying, searching and convey an ambiguity that could apply to a passage beyond this life.

This so…

Hello Sunshine by Bruce Springsteen - New Song Review

After the Broadway experience comes a new song, and my initial thoughts upon hearing it were not about this track specifically, but what it means for the upcoming "Western Stars" album in June. As Bruce has said, this is a different type of album, not a rocker but a 'return to sweeping, cinematic orchestral arrangements'.

My hope is that we are going to get Bruce's version of "Nashville Skyline", as the track has a laid back, country feel, with a rhythm that immediately evokes "Everybody's Talkin' ".

Another one of his early influences, the great Roy Orbison, also shines through, and as a defender of "Outlaw Pete" from "Magic", (more on that here), this can only be a good thing. His vocal has a country tinge and the pedal steel and strings complete the image.

Given his battles with depression, documented in his autobiography, the lines about "being too fond of the blues" and "loving the lonely place&q…

Best Of A Bad Bunch - "Under The God"

It is pretty rare for an artist to have a sustained career without at least one barren period with a lack of commercial success, critical or fan acclaim. Some may only have one golden moment, and then struggle to hit the heights ever again. That doesn't mean that all they produce in those "lost" years is without merit.

Go here for part one featuring Neil Young.

I'm going to look at some of my favourite songs from these lesser known or ill regarded periods, continuing with a man who has had more than one period of both acclaimed and berated music, David Bowie.

Bowie had one of the greatest, in my opinion, runs of combined commercial and critical success from "Hunky Dory" in 1971 to "Let's Dance" in 1983. I'd accept the argument that you could include "The Man Who Sold The World" at the start of the list, but for me it is with Hunky Dory that Bowie's golden run started. In that run, only stop gap covers collection, "Pin Ups&…

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