Cover Versions You'd Love To Hear

There are cover versions, and then there are Cover Versions.

Whilst it maybe a bit harsh comparing pointless album filler by Rod Stewart with a career book-ending and definitive version of Nine Inch Nails "Hurt" by Johnny Cash, it serves to make my point. Too many times cover versions are simply karaoke for musicians.

It has been said before by many people more qualified than I that a cover version cannot simply be a retread of the original, it has to bring something new to the table.

For example Alabama 3's version of "Hotel California" is significantly different than the original, and emphasises the darkness of the song in a way the highly polished Eagles version doesn't. Is it a better version? Overall I think not, but I enjoy them both.

Anyway, on to the main point of this post.

I'm a huge fan of The Who's 1971 rock masterpiece, "Who's Next". From opening with the innovative and instant classic "Baba O'Riley" to the final crash of one of the all time great rock songs, "Won't Get Fooled Again", it stands as one of the finest rock albums of all time.

My favourite track is the penultimate song, "Behind Blue Eyes".

Whilst the original here is superb, I've often thought when Roger Daltrey's vocal tone changes at 1:24, how good would this be with Metallica's James Hetfield on vocals?

Metallica does "Behind Blue Eyes"? Yes please.

(Yes I know L**p B*****t covered it, but I have erased as much as possible of that from my mind, and do not wish to revisit it.)

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Eraserland by Strand Of Oaks - Album Review

A new album from Tim Showalter which, barring a final misstep, hits all the Americana, (and more), marks. This album is heartfelt, sleazy, uplifting, classic and referential all at the same time whilst still pointing forwards.

The beginning is inauspicious. "Weird Ways" starts out like a standard Ryan Adams ballad, but takes off halfway through in a way that reveals the pedigree of the other musicians on the album. After hearing this track I thought it sounded like the aforementioned Mr Adams playing with My Morning Jacket(MMJ). The reverb drenched sound kept rearing its head and a little research revealed that, minus main man Jim James, they were the backing musicians on the album . No wonder I kept hearing them! As a band who has produced much that I like this was a good thing.

After "Weird Ways" heads for the stars we stay there with "Hyperspace Blues" which is one for fans of Jason Pierce's Spiritualized, and sounds just as a song with that title s…

On The Line by Jenny Lewis - Album Review

Arriving with positive notices and an all-star supporting cast that includes a former Beatle in Ringo Starr, a former Heartbreaker in Benmont Tench along with renowned players like Jim Keltner, Don Was and produced by Ryan Adams it would be easy to dismiss such a description as too good to be true.
However, sometimes it is okay to believe the hype..
The 4th solo album from Jenny Lewis is an example of the old adage that misery makes for great art, and is another entry into the canon of great break-up albums.
It is crammed with catchy melodies, expert playing and excellent, if sometimes just a little too cool for school, songwriting. Right from the very start with "Heads Gonna Roll" the sweetness of the melodies is leavened with a perfectly judged dose of underlying menace and bitterness.
Mention has to be given to the Hammond solo from Benmont Tench on this track. The tone is deliciously fat and filthy in the best possible way.
"Wasted Youth" continues with a ridiculous…

Tuscaloosa by Neil Young & The Stray Gators - Album Review

Shakey's live archive releases continue apace, coming after the excellent "Songs For Judy", (full review here) and the even better "Roxy: Tonight's The Night Live", (full review here).

This time Neil treats us to excerpts from an Alabama show, (hence the title), from the 1973 tour previously documented on "Time Fades Away". Whilst a commercial success, the tour was fraught due to Young's grief over the drug-induced death of Danny Whitten that led to his masterpieces "Tonight's The Night" and "On The Beach", and his discomfort in translating his sound to the big arenas his success now found him playing. Neil has previously stated that "Time Fades Away" is his worst album. Those of us who have endured "Everybody's Rockin'" or "Landing On Water" might beg to differ....

Anyway another snapshot of that tour emerges here, and an altogether more lighter mood prevails. The autobiographical &…

Songs To Die To - Part 4

Continuing a series about songs death and dying. These are not necessarily songs that talk about the process of dying, rather as the title suggests, songs that I could imagine listening to on my death bed, or taking as consolation during or after a funeral.

Morbid? I think not, as death is part of life. If we all talked about it a little more, maybe we'd cope with it better.

No 1: featuring "Land Of Hope & Dreams" by Bruce Springsteen here

No 2: featuring "Look On Down From The Bridge" by Mazzy Star here

No3: featuring "Gonna Be A Darkness" by The Jayhawks here

With that said here's my next choice.

No 4: Everything Flows - Teenage Fanclub

This song is here less for it's explicit subject matter rather than the way it makes me feel.
Certainly the lyrics, "I'll never know which way to flow, set a course that I don't know" talk about journeying, searching and convey an ambiguity that could apply to a passage beyond this life.

This so…

Songs To Die To - Part 3

Continuing a series about songs death and dying. These are not necessarily songs that talk about the process of dying, rather as the title suggests, songs that I could imagine listening to on my death bed, or taking as consolation during or after a funeral.

Morbid? I think not, as death is part of life. If we all talked about it a little more, maybe we'd cope with it better.

No 1: featuring "Land Of Hope & Dreams" by Bruce Springsteen here

No 2: featuring "Look On Down From The Bridge" by Mazzy Star here

With that said here's my next choice.

No 3: Gonna Be A Darkness - The Jayhawks

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I love the extended musical introduction, starting with the mandolin, building with the bass and piano.It sets a lovely relaxed groove that hints at the sadness to come.
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Given that those two albums are the finest work the band produced, there were no complaints from me. What it did highlight was the difference between a live show and an album in terms of sequencing. Whereas most gigs will build to a big finish, "Grand Prix" for example finishes with "Hardcore/Ballad", a mash up of the early raw sound cutting immediately into a heartfelt sol…

Teenage Fanclub - at Kelvingrove Summer Nights Live Review

For my fifteenth time seeings Bellshill's finest live, a different venue. The restored Victorian bandstand in Kelvingrove Park, Glasgow. Given that any outdoor event in the West of Scotland is at risk of rain, it was unsurprising that the heavens opened as the support act, (one Nile Marr, son of Johnny, who was pretty good) and it was proper rods bouncing off the floor. Fortunately it dried up for when the Fannies took to the stage. Starting off with "I Can't Find My Home" from "Howdy!" before a welcome deep cut in early single "God Knows It's True", it was quite sedate for the first seven songs, the crowd all being pretty wet no doubt contributing to that. However once they launched into "Alcoholiday" the crowd surged forward and from then until the end it was business as usual for Teenage Fanclub in Glasgow; that being bouncing. We got a few new songs including the pretty decent new single "Everything Is Falling Apart", but…

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