Josh Rouse - Live Review

A little late, but here's my thoughts on Josh Rouse at the Tolbooth in Stirling on Saturday 7th July.

Never having seen Josh Rouse before, and having been a fan of, in particular, the "1972" & "Nashville" albums, the opportunity to see him in a small venue only 16 miles from home was too good to pass up. An added bonus was the chance to share a live music experience with my wife, who is normally less than enamoured of my gig choices.

Once the support act had finished, Josh came out with just his guitar and a harmonica and proceeded to hold the sold out 150 capacity venue enthralled. With an easy charm between songs to compliment the catchy tunes and sweet voice, this was a treat from start to finish. New songs stood out, especially "Salton Sea" and "Businessman", and were still lodged in the memory the next morning. The undoubted highlight was, upon coming out for the encore, Josh saying "it sounds so good in here I think I'll just go unplugged". He then proceeded to unplug his guitar, step away from the mic and wander around the auditorium singing "Love Vibration" whilst the audience filled in on backing vocals with "your people all know what he's talking about". At one point, he was standing directly in front of us, singing right into our faces. Mrs Powderfingerspeaks was amazed at what she was seeing and hearing!

The only downside for me was a lack of "Sad Eyes", a personal favourite from "Nashville"

A gig that will live long in the memory. If you get the chance to see him, do.

Salton Sea Official video

Businessman Official video

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Iron Maiden & Killswitch Engage: Live at the O2 Review

One of the glaring gaps in my live music experience was filled on Friday night, after catching Iron Maiden at the O2 in London.
Before the main event though, support was provided by a band I'd happily pay to watch a headline set by, Killswitch Engage.
The Massachusetts natives hit the stage at 1930, tearing into "Strength Of Mind" to a decent reception. Given that everyone was there for Maiden, the arena was far fuller than normal for an opening act, indicative of the quality of the metalcore pioneers.

The power of their performance and material really struck me at the end of the 2nd track "A Bid Farewell" and the beginning of the following song, "Hate By Design". The two guitars of Adam Dutkiewicz and Joel Stroetzel, along with the bass of Mike D'Antonio all locked in on the same riff, doubling and then tripling for a visceral audio punch.
" My Last Serenade" from the seminal "Alive Or Just Breathing" was a mid set highlight, but…

Teenage Fanclub - Live At The Barrowlands

As previously mentioned, there was a certain sadness attached to this run of gigs by Bellshill's finest. My fear was that the imminent departure of Gerry Love would change the atmosphere from one of celebration to regret. Fortunately this was not to be the case. Whilst the atmosphere WAS different from a normal Fannies gig, that had more to do with the set list and personnel on stage.

Billed as 'The Creation Years- Songs From 1994-1997', this was exactly as advertised. What we got was "Grand Prix" and "Songs From Northern Britain", (SFNB), top to tail and in order.

Given that those two albums are the finest work the band produced, there were no complaints from me. What it did highlight was the difference between a live show and an album in terms of sequencing. Whereas most gigs will build to a big finish, "Grand Prix" for example finishes with "Hardcore/Ballad", a mash up of the early raw sound cutting immediately into a heartfelt sol…

A Musical Epiphany: Bruce Springsteen

Have you ever struggled to understand the appeal of an artist?

In the case of Bruce Springsteen I was in this camp until August 2002. I appreciated that he was a significant figure in music, and enjoyed some of his hits, "Born To Run" and "Thunder Road" in particular. "Born To Run" and "Greatest Hits" were the only albums of his I owned, and found the almost religious fervour of his most passionate devotees baffling.

All that changed in early August 2002 when on the basis of many positive reviews at the time I bought his just released, (9/11 addressing & E-Street Band reuniting), album "The Rising". I was walking the dog, listening on headphones, and had found the first 10 tracks, enjoyable, if not spectacular. Track 11,"Mary's Place", changed all that. The old time gospel hall feel with it's saxophone licks caught my attention. I wasn't prepared for what happened at 3:34 on "...drop the needle and pray...…

Neil Young - Songs For Judy - Album Review

Whilst Shakey's new output has been patchy to say the least over the last few years, the Neil Young Archives keep dispensing the goodness. After "Hitchhiker" last year we've already had "Roxy: Tonight's The Night Live" in 2018. Now we get a 23 track, 22 song single disc of solo live Neil with a difference.

A mono soundboard mix recorded on cassette and then transferred to reel-to reel for posterity from a 1976 U.S. tour by photographer/guitar tech Joel Bernstein. In conjunction with his friend Cameron Crowe, (yes, that Cameron Crowe) they compiled the best versions that comprise this release.

It is a real treat. The track listing is superb with plenty of lesser known gems alongside the staples. "White Line", which didn't finally appear on record until 1990's superb "Ragged Glory".

"Human Highway" which Neil introduces with a comment about the abortive attempts to get it recorded.

"Give Me Strength" which surf…

Def Leppard - Live In Glasgow

Musical trends come and go, but when you've sold as many albums as Def Leppard you are to a certain extent immune from the shifting sands of the taste makers.

Never a band beloved by the music press, the rock legends have always relied on their craft to find them the fans, rather than the hype machine.

Having last seen them as one of 40'000 at their homecoming gig in Sheffield on 6th June 1993, I was looking forward to seeing if they still had 'it'.

The answer is a resounding yes. From the minute Phil Collen emerged into a red spotlight to play the opening riff to "Women" it was clear that this was going to be good. The band sounded fantastic, the guitars squealing, Joe Elliot's voice still husky and the layered harmonies hitting the spot.

This tour was billed as "Hysteria 2018" and was the first time other than their 2013 Las Vegas residency that they'd played the 25 million selling album in full. This was not false advertising.

"Women&q…

Best Of 2018 - Redux Springsteen On Broadway Review

A short series of posts looking at the albums that either arrived too late, or I discovered through other peoples 'best of' lists, that I feel warrant discussion in the 'Best Of 2018'.

Next up,

Springsteen On Broadway

This double CD came along in December as the complete soundtrack to the Netflix recording of the Broadway show.

I had managed to avoid any spoilers about the show, other than picking up the general vibe that it was good. It was therefore a surprise that it was unlike any other Springsteen album, indeed a show and not a concert. More monologue than songs it is nonetheless a fascinating document and a must listen/watch for any music fan.

Using some of the material from his autobiography to take us on a journey through his life in word and song with sincerity and good humour, this is an enjoyable ride. Are any of the versions of songs here the definitive versions? Not really, but that is not the point. The unique format is the selling point. If you want classic …

In Defence Of....."Outlaw Pete"

On a recent episode of the Set Lusting Bruce podcast, host Jesse Jackson along with guests Chris Bloom and Tim Arnold ranked their five top opening tracks from Bruce Springsteen albums. Whilst the show was as enjoyable as ever I couldn't help but note the universal disdain for the epic opener from 2009's "Working On A Dream", "Outlaw Pete". A response was required, so here we go....

Let's deal with the elephant in the room first, KISS. As a Brit KISS were never the big deal here that they were in the US. In fact before doing some research for this post, the only KISS song I'd ever heard was "Crazy, Crazy Nights". The similarity of the melody line from "Outlaw Pete" and "I Was Made For Loving You" was therefore not something that had ever bothered me as I'd not heard the KISS track until about 10 minutes ago!

I'm not going to try a claim there is no similarity, or to pass judgement on whether it was intentional or …

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